Abstract Painting – Abstract… Whatever truly does the thought of Necessarily suggest?

Webster defines abstract as: a.considered apart from a certain instance, b.expressing a quality independent of the object or c. having only intrinsic form with little or no pictorial representation. Quite simply; taking an item and concentrating on its core fundamentalness. All three definitions quickly fit abstract painting in showing, telling, drawing and painting the very essence of the object without actually depicting the object itself.

How does an abstract painter arrive at an abstract design? Many stated which they started with a representational motif, that the motif was something readily identifiable. They dissected the motif so to speak, looking for the bare bones, the very essence of the object. They expressed this essence with colorful shapes, some beautiful, some drab, and some just plain ugly.

In almost any painting the artist is building a statement. It’s easy to express pretty pink flowers in a representational painting. What the abstract artist has to express must be said with his/her simple means; brush marks, color and interesting shapes. Also, since color is arbitrary, color reaches the artist’s whim, and may or may possibly not be pretty and has nothing to do with the painting’s success¬†https://joomlamarketingtips.com/large-abstract-paintings-painting-for-beginners/.

To make a meaningful statement with no recognizable subject is daunting. It’s not a matter of simply looking and drawing. He or she must use all their wiles to engage us in dialog with their art, being limited, or we ought to say, unlimited, with unrecognizable shapes and unrelated (to the object) color. The artist must interest and talk with the viewer through form and color.

A weak, wishy washy, pretty pink flower painting says, “Weak, wishy washy pretty pink flowers!” Bright, bold colors, without form and substance in a abstract painting says, “No form and no substance!” Neither painting is successful.

So….. here we stand in front of the artwork, having no knowledge of abstract art, its purpose and intention. We want to respond but we’re with no clue. So, we hesitate in front of the art work, we don’t know very well what to express, we don’t answer along with or design, so, we walk away saying, or at the least thinking, “That artist must be nuts!” And wondering what the painting was all about. The thing that was its purpose? Was it good art or not?

There are a few folks who are of the opinion that a painting must be representational to be good art. And if they can not see every hair on the top and every leaf on the tree, then a art is not good. That only is not true. You may prefer the see every hair but that is not necessarily an indication of good art.

What guidelines do we have in judging abstract paintings merits? The guidelines that representational painters must follow are exactly the same for the abstract painter. The work will need to have readable values, color harmony and dominance, repetition with variety in shapes, colors and lines, all that concerns good art must also take abstract art.

An accumulation of wild colors and shapes does not at all times total up to good art in abstraction or representational art. A great abstract may be more challenging to pull off than representational art since the artist is counting on his imagination and intuition to make something meaningful and of value. (not necessarily monetary value)

In attempting to understand abstract (non-representational) art, approach it with the concept at heart to simply appreciate what is before you. Sometimes the title gives us an idea in regards to what the painting is about. That helps. Then look and pay attention to how it affects you.

Does along with speak for your requirements? Are you currently lifted up or cast down by along with? You can have some reaction to an item of art work, it will move you in some way, perhaps little, perhaps a great deal. Identify what it is. Good art, whether abstract or representational, sets a mood, tells a story, however subtle, intrigues and interests the viewer, and therefore, each painting must be appreciated on its own merits.

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